Thursday, November 30, 2023

Henry Hudson Kitson's statue of Roger Conant: Boston Globe, 2 September 1910

 



 

SALEM, Sept 1 - A statue of Roger Conant, by Henry Hudson Kitson, is soon to be unveiled in this city by his descendants.

In this work Mr Kitson has tried hard to express the personality of one of the founders of Massachusetts, and the story of how he came to undertake the execution of the memorial and what was required of the artist is of unusual interest.

The statue differs somewhat from the ordinary memorial to the man whose personality stood out in bold relief, even among those strong characters to be found in the time in which he lived.

First, this monument is erected by members of Roger Conant's own family - his own immediate descendants, and not by the public at large; and second, the artist's conception has aimed to embody not only the individual man to whom the statue is raised, but the fearless, undaunted spirit of the time in which he lived.

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Begins Work on the Statue

About four years ago one of a committee composed of members of the Conant family, who were desirous of raising a memorial to their common ancestor at Salem, the place he had worked with such dauntless energy to colonize, called on Mr Kitson, and the latter consented to make a sketch model. As he worked over this he became more and more absorbed by the history and personality, as well as the facial lineaments, of the rugged old settler, though the modelling of these latter was in itself a task sufficiently difficult, since there appeared to be no actual portrait of Roger Conant extant. However, aided by photographs of several of his descendants, showing family as well as individual facial characteristics, the sculptor obtained what might be termed a sort of composite likeness of the whole Conant family, which was quite satisfactory to everyone save the artist himself.

Perhaps it was the wish, as he says, "to make this statue of Roger Conant not only the very best thing I've ever done, but one of the best things made in America" that made Mr Kitson supercritical.

From the first the general form of the design had been clear in his mind - the strong, upright, commanding figure, one of whose hands rested lightly on a young oak tree, which, to Mr Kitson, seemed the visible emblem of Roger Conant's character.

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Loved Peace, But Could Fight.

"You can't pull the oak tree up when once it's taken root," he said, in speaking of his conception of the old settler's personality, "and they couldn't pull him - he was rooted to Massachusetts just as firmly as the oak tree was rooted in the ground.

"Moreover, he was a sort of anomaly in his time - not only a man of peace but essentially a peace-lover, and these facts alone differentiate him from the strict Puritan element.  He loved peace, he ever strove for it, yet, once convinced of the justice of his quarrel, he would fight - fight to the last ditch, and win out against odds to all appearances overwhelming, because, before he began to fight he knew that he had right on his side.

"I've tried to show all this in my figure of Roger Conant - the indomitable purpose of the man who could write such words as these - part of a letter cherished in the Conant family:

" 'And when, in the infamy thereof, it was in great hazzard of being deserted, I was the means, through grace assisting me, to stop the flight of those few that then were here with me and that by my utter deniall to goe away with them, who would have gone either for England or mostly for Virginia, hereupon we stayed to the hazzard of our lives.'

"Moreover, I have tried to depict in the countenance the kindly nature of this man - one of the very few among America's early settlers who was ever looked upon by the Indians as their true and staunch friend.

"Though making this figure has been peculiarly difficult, it has been, at the same time, wonderfully fascinating; since, in my ardent desire to visualize for the people of this day this man to whom the town of Salem in particular and Massachusetts in general owes, perhaps, more than has been justly understood, I have been drawn to study minutely this unique character - one of the greatest men of his time and yet one, curiously enough, whose personality is still comparatively unknown."

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Conant Settled It Peacefully

No less an authority than John Fiske says of the settlement of cape Ann (in which Roger Conant bore a leading part), "It deserves special mention as coming directly in the line of causation which led to the founding of Massachusetts by the Puritans."

For several years prior to 1621 a small body of men, locally known as the "Dorsetshire Adventurers" since the majority of them were English merchants from Dorset, the chief town in the English shire of that name), had sent men to fish off the New England coats near the present site of cape Ann; it was, however, not until the year just mentioned (1621) that the "Adventurers" decided to plant there a permanent colony, to be a sort of fishing station, but having the special advantages of a place of worship and a resident preacher.

It was thus the small band came to occupy cape Ann, but within two years difficulties arose with their neighbors at Plymouth; for, though the new settlement adjoined this town, the men of Plymouth laid prompt claim to It and as the rights vested in grants and assignments had become, in many instances, hopelessly entangled, it was by no means easy to discover just where the real ownership of property lay.

Roger Conant finally caused a peaceful settlement of this dispute. He was an independent leader who had, virtually, withdrawn from the Plymouth colony, being by no means in sympathy with the narrow and bigoted views held by the settlers there. The "Adventurers" at once made Roger Conant their head and, for the moment, all seemed secure. But internal dissentions arose among the "Adventurers" themselves and their next important step was to abandon the cape Ann colony, dissolving the existing partnership and leaving the tiny remnant of the settlers entirely dependent on their own resources, though each man was permitted to retain his tools and his cattle.

Here it was that the marvelous executive ability of Roger Conant came to the front. He promptly assumed charge of the now almost discouraged little band, finding for them an adjacent and far more advantageous place of settlement at Naumkeag, the present site of the town of Salem.

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His Tact and Diplomacy.

When, a little later, this now thriving colony was menaced by the 60 men sent by John Endicott, ostensibly to re-enforce, but actually, for the purpose of forcing Roger Conant from the place of chief authority, the Naumkeag settlers were immediately up in arms and for a short time what a writer of the period turns [terms]  "a dangerous jarre" appeared inevitable. But again the tact and diplomacy of Roger Conant saved the situation, and under his management all were conciliated and an entirely amicable arrangement was speedily arrived at, in token of which the name of the settlement was changed , to Salem, the Hebrew word for peace.

Roger Conant appears to have possessed a perfect genius for getting on with the Indians of the Agawam tribe, which dwelt in the neighborhood. Not only were they passively friendly but they seemed actually glad to have the white men settle on their lands, since they lived in mortal fear of their fierce neighbors, the Tarratines, and hoped to have the aid of the settlers in repelling their attacks.

In one of the most charming of his essays, "Main Street," Nathaniel Hawthorne says of Roger Conant:

"Roger Conant, the first settler of Naumkeag, has built his dwelling months ago on the border of the forest-path and. at this moment, he comes eastward through the vista of the woods with his gun over his shoulder, bringing home the choice portions of a deer. His stalwart figure, clad in a leather jerkin and breeches of the same, strides sturdily onward with such an air of physical force and energy that we might almost expect the very trees to stand aside and give him room to pass.

"And so indeed, they must for, humble as is his name in history, Roger Conant is still of that class of men who not only merely find, but make their place in the history of human affairs; a man of thoughtful strength, he has planted the germ of a city.

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He Could Not Be Moved.

So we have here a memorial to this sturdy, fearless, vigorous Roger Conant, of whom a writer of a later time said: "They tried to Induce him to go with them, but he had taken his position and pledged his faith unconditionally that here he would stand, thru perils from savages and all the hardships of the new settlement clustered around him, and he could not be moved."

And this figure, stamped as it is with this unquenchable courage, this endurance and, most marvelous of all in that age of fierce intolerance and bigotry, the kindness of one "who loved his fellow men," is a statue worthy to be placed among those glorious memorials that are the spontaneous tributes to Massachusetts founders!


 

The statue of Roger Conant outside the Witch Museum, Salem MA  Photo credit: John Andrews and Destination Salem


Saturday, November 25, 2023

Roger Conant's Christmas 'Peace Tree'

 

 



From the top: East Budleigh’s ancient All Saints' Church, where the families of Sir Walter Raleigh and Roger Conant worshipped; the village’s High Street; Salem Chapel, on Vicarage Road, location of East Budleigh Heritage Centre. 

This December will see a renewal of a local tradition in the shape of a Christmas Tree Festival in East Budleigh Heritage Centre.

The first Festival proved so popular that the tradition grew rapidly, progressing from around a dozen trees to over 50 in 2016.




The statue of Roger Conant in Salem, Massachusetts. Image credit: John Andrews and Destination Salem

The 2023 Festival will include an unusual exhibit which pays tribute to East Budleigh-born Roger Conant, founder of the city of Salem in Massachusetts which will mark its 400th anniversary in 2026. 

Decorated with many flags from all over the world, the ‘tree’ created by East Budleigh’s Roger Conant Club has a serious message in its setting of the appropriately named Salem Chapel.


 

Portrait by Sir Godfrey Kneller of the English philosopher John Locke (1632-1704), internationally known for his political liberalism which included the principles of non-aggression and religious tolerance. Image credit: Wikipedia

Surprisingly, Salem Chapel has no connection with the city that Conant founded. ‘Salem’, from the Hebrew word ‘shalom’, simply means ‘Peace’, similar to the Arabic greeting ‘salamun alaykum’ that means ‘Peace be upon you.’  

The Chapel was built by Dissenters in 1719, with help from local landowner Richard Duke, a friend of the philosopher John Locke, pictured above.  

Roger Conant has been described as a sort of anomaly in the hard and violent times in which he lived. 



The ‘Peace Window’ in the Conant Memorial Church at Dudley, Massachusetts, funded by Hezekiah Conant. It represented Roger Conant separating the combatants at Cape Ann in 1625. Sadly the ‘Peace Window’was destroyed by a storm in 1946.  Image credit: Chris Mayen 

A 19th century descendant, the American industrialist and philanthropist Hezekiah Conant, wrote of his ‘Christian forbearance and love of peace’.

The Christmas 'Peace Tree' has a colourful display of flags, sadly representing those nations which don’t have as happy a relationship with each other as they should.


 

On the positive side, the tree stands out for its ‘baubles’ carrying a message of peace. The display includes recipients of the Nobel Peace Prizes along with anti-war quotations from a host of well known or interesting figures from over the centuries, from an Ancient Greek poet to a Buddhist monk.  

 




The portrait of Sir Walter Raleigh in All Saints’ Church

Even East Budleigh’s Sir Walter Raleigh is included. Not many people know that Queen Elizabeth I’s favourite courtier arranged for a high-ranking Spanish official, Don Pedro Sarmiento de Gamboa, to discuss peace with Spain with the Queen at Windsor Castle, where they conversed in Latin. 



On his way back to Madrid overland Don Pedro was captured by French Protestants, and the precious Letter of Peace that he was carrying from Elizabeth never reached the Spanish king. Two years later the Armada set sail on its ill-fated voyage.



 

Topped by a dove with an olive branch, Roger Conant’s Christmas Peace Tree has something positive to offer in today’s world with its many terrible conflicts.

 



Alongside the ‘tree’ Festival visitors can see – pictured above - a copy of Budleigh artist John Washington’s painting ‘Blessed are the Peacemakers’ which is on display in All Saints’ Church, depicting this hero of East Budleigh. Roger Conant was, it has been said, a leader who ‘preferred the public good to his private interests’.

He is celebrated by many of his American descendants today for his moral courage, tolerance and integrity. An increasing number of them are making the journey across the Atlantic to discover where their famous ancestor was born.

The East Budleigh Heritage Centre’s Christmas Tree Festival will be held on Saturday 2 – Sunday 3 December, 2023, from 10.00am to 3.00pm.


Thursday, November 23, 2023

Raleigh the Peacemaker (1586)

 


 



A copy, in All Saints' Church East Budleigh, of one of the best known portraits of Sir Walter formerly attributed to Zuccaro but now to the monogrammist 'H' (? Hubbard) and dated 1588. It shows Raleigh in court dress at the height of his favour with Queen Elizabeth I. Raleigh had been appointed Captain of the Guard in 1587  

Raleigh does not have a reputation as a peacemaker. Courtier, poet, soldier, explorer, historian he certainly was, and for most of his life, an enemy of Spain. In 1618, after his disastrous second voyage to Guiana resulted in the reinstatement of the death sentence there was jubilation at the Spanish court.  

 




Diego Sarmiento de Acuña, Count of Gondomar, a title awarded by King Philip III of Spain in 1617. Image credit: Wikipedia

Such was the hatred he inspired there that Count Gondomar, the Spanish ambassador in London, demanded that Raleigh and his crew be hanged in Madrid.   




The 2007 film Elizabeth – The Golden Age, directed by Shekhar Kapur, starred Cate Blanchett in the title role. Image credit: www.moviemeter.nl

Queen Elizabeth I, for whom Raleigh was a favourite courtier, was equally hated by the Spanish government which viewed her as a heretic. Her speech at Tilbury in August 1588 on the eve of the Spanish Armada led to her becoming immortalised for posterity as a warrior queen. 

For a twenty-year period leading up to that event she had refused to condemn the English privateers who had looted Spanish ships and ports with impunity. In 1585 she pledged English support for the Dutch who were fighting for independence from Spain, agreeing to send 5,000 foot soldiers and 1000 cavalry to the Netherlands.  

 




Portrait of Queen Elizabeth I attributed to Marcus Gheeraerts the Elder. Image credit: Wikipedia

Yet even in that year, Elizabeth wanted peace and advised her diplomats in Madrid to pursue this goal. Portraits of the Queen at this time use symbols to emphasise the message. This painting, attributed to the Flemish Protestant Marcus Gheeraerts the Elder, is sometimes known as the Peace portrait and has been dated to between 1580 and 1585. In her right hand the Queen holds an olive branch; at her feet lies a sword but it is sheathed.




The Ermine Portrait of Queen Elizabeth I, variously attributed to William Segar or George Gower, is in the collection of Hatfield House. Image credit: Wikipedia

Another painting, known as the Ermine Portrait and dated 1585, again shows her with those two symbols of peace. The ermine or stoat symbolises purity and royalty.

Early in 1586, King Philip II instructed his admiral the Marquis of Santa Cruz to submit plans for an invasion of England.  He had been encouraged in his plans by news of the refitting of a fleet of Portuguese galleons.

At around the same time, seemingly with the aim of reaching an agreement with the Spanish, Elizabeth initiated talks with Alexander Farnese, Duke of Parma, Governor of the Netherlands. 

When, later that year, Raleigh was presented with an important Spanish nobleman as his prisoner he must have felt that the scene was set perfectly for him to take on the role of diplomat and bring about that very peace that the Queen was seeking.


 

A bronze relief with the bust of Pedro Sarmiento de Gamboa. Image credit: Wikipedia

Pedro Sarmiento de Gamboa, was the founder and governor of the Spanish settlement in Patagonia, South America. Explorer, author, historian, mathematician, and astronomer, he is known today mainly for his History of the Incas, which contains extremely detailed descriptions of Inca history and mythology but remained in manuscript for centuries until it was published in 1906. An English translation was published by Sir Clements Markham the following year.

Sarmiento had been captured in September 1586 by the crews of the Serpent and the Mary Sparke under the command of Captain Jacob Whiddon. Both ships, belonging to Raleigh, were on their way back to Plymouth from a voyage to the Azores. Along with Sarmiento they had captured the Governor of the Isle of São Miguel, the largest island in the Azores, and seized booty which included ‘sugars, elephants teeth, waxe, rice’ along with ‘sumacke and other commodities’.  

Leaving Plymouth the ships sailed with their prizes to Southampton where the crews were rewarded with their shares by Raleigh himself.

 




The title pages of Raleigh’s History of the World, published in 1614

Born in 1532, Sarmiento was older than Raleigh by about twenty years but the two men evidently developed a rapport. Much later, Raleigh would remember Sarmiento as ‘a worthy gentleman’ as he wrote in his History of the World.

Like Raleigh he can be described as a Renaissance figure for the breadth of his interests and talents – ‘un hombre multidisciplinar que encarnaba a la perfección el ideal del hombre renacentista de su tiempo’ – as a recent biographer has written.

Like Raleigh he had encountered difficulties with the religious authorities. While in Peru, in his twenties he was accused by the Inquisition in Lima of possessing two magic rings and some magic ink and of following the precepts of Moses.



‘The School of the Night’ by Ronnie Heeps, 2006. © the artist. Photo credit: Jersey Heritage

Similarly, Raleigh, who was a relatively freethinking man for his age, would be accused of atheism. A commission was set up in 1594 at Cerne Abbas, close to his home at Sherborne Castle, to deal with accusations that Raleigh and his circle of intellectuals, known to some as ‘The School of Night’, had denied the reality of heaven and hell.  He would be acquitted, but the accusation of atheism would again be raised at his trial for treason in 1603. It is likely that such accusations contributed to the guilty verdict reached by the court, a verdict which would prove fatal after the failed 1617 expedition to Guiana.  

So well did the two men get on that Sarmiento agreed to share his maps with English cartographers, despite Spain's official policy of keeping all navigational information secret. He is also said to have discussed with Raleigh the existence of the supposed city of El Dorado.

It did not take long for Raleigh to realise Sarmiento’s potential value in discussing peace negotiations with Spain. On 28 November the Venetian Ambassador in Paris reported that the Queen had summoned Sarmiento to Windsor, where he had conversed with her and with all the principal members of the Council, and how ‘they are treating him with much distinction’.  Elizabeth and Sarmiento apparently conversed in Latin for as much as two hours.

The Spaniard left London on October 30, 1586, crossed to Calais, and then passed through Paris, where he met with Bernardino de Mendoza, the Spanish ambassador to France.

Spanish diplomats in London seemingly had high hopes of successful peace negotiations, given the character and reputation of Sarmiento. A letter written by them to Bernardino de Mendoza and dated 10 November 1586 urged that Sarmiento should be the Spanish king’s choice to conduct negotiations. It recommended that he should be sent back to London for this purpose because of his evident empathy towards the English. ‘He is a person of much worth who really understands these people as if he had lived ten years amongst them, a man of decision, an excellent scholar and a person who will speak to them with all fitting plainness.’

After three days in Paris, Sarmiento set out on 5 December for the long journey to Madrid. Among the items he carried was a precious Letter of Peace from Queen Elizabeth with which he had been entrusted to deliver to King Philip of Spain.

He had been warned to make the journey by sea since the south of France was in turmoil because of the Wars of Religion between Catholics and Protestants, known as Huguenots. Fatefully he chose to go by land.

Perhaps he trusted too much in the protection of the Protestant Queen of England. The Venetian ambassador in Paris reported in December that Sarmiento, ‘a Spanish gentleman of great importance’ had reached the French capital having been a prisoner for four months in England. ‘They say he had long audiences of the Queen, and is armed with her passport, as he has to travel through Huguenot country; that he is charged by her to speak for the peace,’ wrote the ambassador.

On the journey south, near Bordeaux, he encountered Huguenot forces who seized his belongings along with the letters he was carrying and imprisoned him at Mont de Marsan.


 

© CHRISTIE'S 2022

Did Elizabeth seriously believe that peace was possible? The above document signed by her at Greenwich was a passport for a diplomatic party including Henry Stanley, 4th Earl of Derby and William Brooke, 10th Baron Cobham and Lord Warden of the Cinq Ports. The party was appointed by the Queen to 'depart into the Lowe Contreys in speciall Comission and Ambassade from us', and were to be allowed to pass with all their train and baggage, and were to be furnished with horses, carts or any other necessary form of carriage by sea or land. ‘Whereof fayle ye not, as ye tender our pleasure,’ concluded the document.




Portrait of Alessandro Farnese, Duke of Parma by the Flemish painter Otto van Veen (1556-1629). Image credit: Wikipedia

The party's 'special commission' was to negotiate a peace treaty with Alessandro Farnese, Duke of Parma, which would end the war with Spain. Just months later, in July 1588, the Spanish Armada set sail.

As for poor Sarmiento, he spent three years in prison before being liberated, despite the efforts of the Queen and Raleigh to have him released.

Apparently his name became a byword for misfortune. Spanish people would say, glibly, "So and so has the luck of Pedro de Sarmiento"'.

Pedro Sarmiento de Gamboa spent the rest of his life dedicating himself to his writings and worked as an editor of poetry. On his last naval mission in the service of the king he was made Admiral of an armada of galleons en route to the Indies. He died on board ship in 1592, off the coast of Lisbon.

Did any Huguenot soldiers bother to read the documents that Sarmiento was carrying? Was Elizabeth being sincere? Was Raleigh?

Not everyone believed him, including many historians. ‘An ingenious plot’ and ‘this extraordinary ploy’ is how author Raleigh Trevelyan describes the way in which Sarmiento and ambassador Bernardino de Mendoza were ‘duped’ by Elizabeth’s favourite. Mendoza, for example, had accepted Raleigh’s assurance that he was ‘much more desirous of sending to Spain his own two ships for sale, than to use them for robbery’. King Philip and his councillors were not so easily bamboozled by Raleigh’s promises, wrote Trevelyan in his 2002 book Sir Walter Raleigh. ‘They were rightly suspicious, and at once refused, bringing to an end Raleigh’s first attempt at international intrigue.’

Some historians nonetheless like to ponder the ‘What if?’ question. If Sarmiento had made it, and if King Philip had read that Letter of Peace, might the Spanish Armada not have set out? War might have been averted, the course of history in Europe and in Latin America would have been changed. 

And Sir Walter Raleigh might have been known to posterity not just as a pirate but as a peacemaker.  


 

The Woburn Abbey Armada portrait of Queen Elizabeth I, by an unknown English artist (formerly attributed to George Gower). It depicts the Queen surrounded by symbols of royal majesty against a backdrop representing the defeat of the Spanish Armada in 1588. Image credit: Wikipedia